Me - an artist
Young people from around the world took part in a London workshop on their roles and rights as artmakers as part of the LIFT (London International Festival of Theatre) 'Family-Friendly Season'. They presented their views at the concluding event in a combination of polemic and performance through their skills in music, dance, poetry and drama. This was followed by a discussion between the participants and the audience, including politicians, policy makers, children's rights specialists, business people, and teachers.
22 - 07 - 2003
|
Ervin Hysa: When I came to England from Kosovo, I was so interested in drama at
school that they asked me if I would like to do more of that kind of stuff. And
I said, well why not! Since then, drama is in my dreams - that is what I want
to do in my future.
|
|
|
Pinar Katranci: I come from Istolin (Bilsak) in Turkey. Although I dont
think about it often, I have had my first encounter with art and can tell you
why I am so attracted to it. It is because art takes me from this world and
to a new one. In my second play at school, I played the part of a hit-man. You
can probably see that no way am I related to one. But thanks to art, that can
capture even such a character, I can try to understand a hit-man. This helps
me know myself a lot.
|
|
|
Sarah Toal: Hi, Im Sarah from Northern Ireland. Art has been a big part
of my life since the age of four when my grandmother took me to the theatre
to see South Pacific. When I saw the brightly coloured costumes and the amazing
dances I fell in love. This is when I began my Irish dancing classes and drama
which have been a big part of my life ever since, because I love performing.
When I perform I feel happy and peaceful, and I like my audiences to experience
this also.
|
|

|
lestyn Thomas: I started doing arts in primary school. I saw an audience enjoying
themselves. I wanted to do that. Make an audience laugh. Bring some joy into
the world. Also, it is incredible fun.
|
|
|
Jade Sympare: Children are born sinless until they enter the corrupting, gringing
world full of disruption and grief. I want to share my gifts. And I want to
be seen and I want to be heard.
|
|
|
Alison McCabe: Im from Scotland and I first met the arts when I had
to read a story in front of an audience at school. I was really scared, until
I looked out over the audience and it gave me courage. Ive been reading
stories ever since.
|
|

|
Shein Shanin Dato Shahril: Hello, I am Shein from Malaysia and I first came
into contact with art when I was about two years old. You see my Mum is an artist
and we had this stage in the back of our house. I was sitting on a drum with
a shawl wrapped around me and the music started to play and I could see my Mum
dancing and I was so overwhelmed that I just had to stand up and start dancing
and well - I havent stopped.
|
|
|
Amir Reza Kouhestani: I am Amir and I am the old man in this debate. I am from
Iran and I want to read my story. When I was ten or eleven years old I wanted
to be a discoverer of things and places, but then I realised that all things
had been discovered before and that nothing remained for me to discover.
And I started to read books, because I wanted to be a famous man. But not childrens
books or books for young people. When I was fourteen, the first book that I
read was War and Peace by Leo Tolstoy and the second one was Crime
and Punishment by Fyodor Dostoevsky. As you guess, I didnt understand
anything.
I forced myself to write. I started to write smart articles in local newspapers,
but nobody read my articles. So I went on and learnt music and painting, but
after a couple of weeks, my teacher told me Amir! - not to bother
to come back. I took courses in cinema directing, but I didnt succeed,
and at the end of all my efforts was left with two unfinished films.
After that I joined a theatre group, but as you can guess, after a year of acting
lessons, I left, because I didnt like it.
Finally, I decided to write a play and told myself that if I didnt succeed
this time, I would throw it all away, and guess what? - my play won second best
play in Iran in 2000, and so - here I am.
|
|

|
Jasmin Densu: Hi, my name is Jasmin and Im from Ghana. What inspired
me to get involved with theatre as a young adult? When I was at home with my
grandmother in Ghana, me and my cousin always used to play around as doctors
and nurses, or boss and secretary - obviously I was the boss! We used to finish
up with a song! My grandmother would record us and send the tape to my mother
in England telling her to listen to this, and she would say, Hey, Im
proud of you my daughter, and all that...
And when we did that, I used to say to myself - Jasmin, maybe you want
to become a doctor, or maybe a nurse - but as I grew up I began to notice
that what I was really doing was being different people and interpreting different
characters and situations - and then I realised that what I really wanted to
become was an actress.
|
|
|
|
My name is Nehlema Barrie and I am from Sierra Leone. Discontentment, hatred
and power thirst are some of the themes that lead to the situations in which
we find ourselves in the world today. You can help us change the world by learning
to love yourselves and be content before you bring us into the world.
Because we would like to be better people in future.
|
|
|
Anand Kulkami: My name is Anand and Im from India. I really feel that
every child has a right to art. Adults - you do whatever you want - kill, fight,
do whatever - but please dont involve us in that. Every child has something
creative in him. Dont kill the artist in us. We want to express ourselves.
Give us a chance. Give us freedom.
Dont dictate to us. Just guide us. We want to take our own decisions.
Every child must be heard patiently. I would like my art to mirror the situation
of children so that each child knows his rights and his responsibilities too.
I would like to be able to say that when we grow up, we are not going to be
like you.
|
|
|
Rethabile Leanya: I come from Lesotho. Children have a right to life and to
grow up under the guidance of both parents. Dont put children under the
life sentences of growing up as orphans thanks to wars influenced by your selfishness
and your greed. I am trying to interact with young people from all over the
world, to help build relationships, and to avoid conflicts.
|
|

|
Cesar Augustin Silveira: I come from Argentina. I live in a poor neighbourhood.
Every day I see young people wasting their time and lives with drugs or alcohol.
One day, I found in a Murga - a joyful dance - that art is an excuse to
reach people and begin a new friendship. Art is also a chance to raise the quality
of life of young people by raising their self esteem, because the biggest challenge
is before and after the show - what happens in daily life.
With a group of friends, the excuse of art makes every day a better day.
|
|
|
Dwayne Faissal : I am lucky because I have a Mum who would do anything for
me and my brothers. I owe my creativity to my Mum. I wish more people could
be like her. Just ask yourself, what is the best way to express yourself? If
the answer is some sort of art, and not violence and aggression, then you deserve
to be here.
|
|
|
I am Mohammad Beah, an ex-child combatant from Sierra Leone. I have been involved
in several wars in my country. I have already participated in several. Therefore,
I know the feeling, the stress, the risk and disappointments involved. Therefore,
I would like in my life to see children protected, and I think we need governments
that are responsible and transparent to stop the ways of war. I want to ask
them to protect children from armed conflicts.
|
|
Elaine Adorno:
To save the planet I made theatre with a company of young people aged seven
to fourteen. Through theatre, all of us can send a message of change and hope,
especially because the theatre work I do in Brazil is about issues directly
related to me. I wish to touch peoples hearts by making them realise
that we can change things. For me, art is the best weapon to fight for peace.
|
|

www.liftfest.orgAll photographs by Michael Rebehn.
Copyright © Michael Rebehn 2003.
Copyright © LIFT participants, . Published by openDemocracy Ltd. You may download and print extracts from this article for your own personal and non-commercial use only. If you teach at a university we ask that your department make a donation. Contact us if you wish to discuss republication. Some articles on this site are published under different terms.
Comments
Remember to login to have your comments properly attributed
Login or Register to be identified in your comments
|