'Shifting sand of history on the wall'

Here today, gone tomorrow: how street-signs are public memory in the making.
About the author
Zsuzsanna Ardó is a writer, photographer, editor, critic, broadcaster and translator. She runs the Hampstead Authors' Society in London.

© Zsuzsanna Ardó

Photographed by Zsuzsanna Ardó, Budapest, 1996

“To be a Hungarian is a collective neurosis” – Arthur Koestler, author of Darkness at Noon.

I took this photograph in Budapest in the mid-1990s. A new street-sign replaces an old one, but the old one remains on the wall, a big line drawn across it. To me, this photo is about the social representation of history shaping our universal consciousness and planting our orientation points. The photo is purposefully lacking in harmony: it’s uneasy, off-balance and cluttered, pulling in different directions to subvert aesthetic expectation... and yet, the woman strides on.

This article is published by Zsuzsanna Ardó, and openDemocracy.net under a Creative Commons licence. You may republish it with attribution for non-commercial purposes following the CC guidelines. For other queries about reuse, click here. Some articles on this site are published under different terms. No images on the site or in articles may be re-used without permission unless specifically licensed under Creative Commons.