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 <title>open Democracy News Analysis - Pablo Picasso has words for Colin Powell from the other side of death, Ariel Dorfman  - Comments</title>
 <link>http://www.opendemocracy.net/article/pablo_picasso_has_words_for_colin_powell_from_the_other_side_of_death</link>
 <description>Comments for &quot;Pablo Picasso has words for Colin Powell from the other side of death, Ariel Dorfman &quot;</description>
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 <title>Pablo Picasso has words for Colin Powell from the other side of death, Ariel Dorfman </title>
 <link>http://www.opendemocracy.net/article/pablo_picasso_has_words_for_colin_powell_from_the_other_side_of_death</link>
 <description>Yes, even here, here more than anywhere else,&lt;br /&gt; we know and watch what is going on&lt;br /&gt; what you are doing with the world&lt;br /&gt; we left behind&lt;br /&gt; &lt;p&gt; What else can we do with our time?&lt;br /&gt; &lt;/p&gt;&lt;p&gt; Yes, there you were, Mr. Secretary,&lt;br /&gt; I think that is how they call you&lt;br /&gt; there you were&lt;br /&gt; standing in front of my Guernica&lt;br /&gt; a replica it is true&lt;br /&gt; but still my vision of what was done&lt;br /&gt; that day to the men to the women&lt;br /&gt; and to the children to that one child&lt;br /&gt; in Guernica that day in 1937&lt;br /&gt; from the sky&lt;br /&gt; &lt;/p&gt;&lt;p&gt; Not really standing in front of it.&lt;br /&gt;  It had been covered, our Guernica,&lt;br /&gt;  covered so you could speak.&lt;br /&gt; There in the United Nations building.&lt;br /&gt; So you could speak about Iraq.&lt;br /&gt; &lt;/p&gt;&lt;p&gt; Undisturbed by Guernica.&lt;br /&gt;  &lt;/p&gt;&lt;p&gt; Why should it disturb perturb you?&lt;br /&gt; Why did you not ask that the cover&lt;br /&gt;            be removed&lt;br /&gt;                   the picture&lt;br /&gt;             be revealed?&lt;br /&gt; &lt;/p&gt;&lt;p&gt; Why did you not point to the shrieking&lt;br /&gt; the horse dying over and over again&lt;br /&gt; the woman with the child forever dead&lt;br /&gt; the child that I nurse here in this darkness&lt;br /&gt; the child who watches with me&lt;br /&gt; as you speak&lt;br /&gt;       and you speak.&lt;br /&gt; Why did you not say&lt;br /&gt; This is why we must be rid of the dictator.&lt;br /&gt; Why did you not say&lt;br /&gt; This is what Iraq has already done and undone.&lt;br /&gt; Why did you not say&lt;br /&gt; This is what we are trying to save the world from.&lt;br /&gt;  Why did you not use&lt;br /&gt; Guernica to make your case?&lt;br /&gt; &lt;/p&gt;&lt;p&gt; Were you afraid that the mother&lt;br /&gt;  would leap from her image and say&lt;br /&gt; no he is the one&lt;br /&gt; they are the ones who will bomb&lt;br /&gt;                         from afar&lt;br /&gt; they are the ones who will kill&lt;br /&gt;                         the child&lt;br /&gt; no no no &lt;br /&gt; he is the one they them &lt;br /&gt; from the distance the bombs&lt;br /&gt; keeping us always out of sight&lt;br /&gt; inside death and out of sight&lt;br /&gt; &lt;/p&gt;&lt;p&gt; Were you afraid that the horse&lt;br /&gt; would show the world the near future&lt;br /&gt; three thousand cruise missiles in the first hour&lt;br /&gt; spinning into Baghdad&lt;br /&gt; ten thousand Guernicas&lt;br /&gt; spinning into Baghdad&lt;br /&gt;                         from the sky&lt;br /&gt; &lt;/p&gt;&lt;p&gt; Were you afraid of my art&lt;br /&gt;                         what I am still saying&lt;br /&gt; more than sixty five years later&lt;br /&gt; the story still being told&lt;br /&gt; the vision still dangerous&lt;br /&gt; the light bulb still hanging&lt;br /&gt;             like an eye from the dead&lt;br /&gt; my eye that looks at you from the dead&lt;br /&gt; &lt;/p&gt;&lt;p&gt; beware&lt;br /&gt; &lt;/p&gt;&lt;p&gt; beware the eye of the child&lt;br /&gt; in the dark&lt;br /&gt; &lt;/p&gt;&lt;p&gt; you will join us&lt;br /&gt; the child and I&lt;br /&gt; the horse and the mother&lt;br /&gt; here on the other side&lt;br /&gt; &lt;/p&gt;&lt;p&gt; you will join us soon&lt;br /&gt; you will journey here&lt;br /&gt;                   as we all do&lt;br /&gt; &lt;/p&gt;&lt;p&gt;             is that why you were&lt;br /&gt;              so afraid of me?&lt;br /&gt; &lt;/p&gt;&lt;p&gt; join us&lt;br /&gt; and spend the rest of eternity&lt;br /&gt; watching&lt;br /&gt; watching&lt;br /&gt; watching&lt;br /&gt;       next to us&lt;br /&gt;       next to the remote dead&lt;br /&gt; not only of Iraq&lt;br /&gt; not only of&lt;br /&gt; &lt;/p&gt;&lt;p&gt;             is that why you were&lt;br /&gt;             so afraid of that eye?&lt;br /&gt; &lt;/p&gt;&lt;p&gt; watching&lt;br /&gt; your own eyes sewn open wide looking&lt;br /&gt;             at the world you left behind&lt;br /&gt; &lt;/p&gt;&lt;p&gt; there is nothing else to do&lt;br /&gt; with our time&lt;br /&gt; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt; sentenced to watch&lt;br /&gt; and watch&lt;br /&gt; by our side&lt;br /&gt; &lt;/p&gt;&lt;p&gt;             until there will be no Guernicas left&lt;br /&gt;             until the living understand&lt;br /&gt; &lt;/p&gt;&lt;p&gt; and then, Mr. Secretary,&lt;br /&gt; and then&lt;br /&gt; &lt;/p&gt;&lt;p&gt;             a world with no Guernicas&lt;br /&gt; &lt;/p&gt;&lt;p&gt; and then&lt;br /&gt; yes then&lt;br /&gt;             you and I&lt;br /&gt; yes then&lt;/p&gt;&lt;p&gt;             we can rest&lt;br /&gt; &lt;/p&gt;&lt;p&gt; you and I and the covered child&lt;br /&gt; &lt;/p&gt;&lt;p&gt;&amp;nbsp;&lt;/p&gt;&lt;div class=&quot;full_image&quot;&gt;&lt;p&gt;&lt;img src=&quot;/content/articles/1002/images/guernica2-565.jpg&quot; border=&quot;0&quot; alt=&quot;GUERNICA&quot; width=&quot;555&quot; /&gt;&lt;br /&gt;&lt;span class=&quot;image_caption&quot;&gt;Guernica, by Pablo Picasso (1937)&lt;br /&gt; See larger reproduction &lt;a href=&quot;http://www.geocities.co.jp/SilkRoad-Desert/6794/pic/guernica.jpg&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class=&quot;rating-item&quot;&gt;&lt;div class=&quot;rating&quot; id=&quot;rating_mean_1002&quot;&gt;&lt;div class=&quot;rating-intro&quot;&gt;&lt;span class=&quot;rating-intro-text&quot;&gt;Average rating&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;star avg on&quot;&gt;&lt;a style=&quot;width: 50%;&quot; onclick=&quot;return false;&quot;&gt;&amp;nbsp;&lt;/a&gt;&lt;/div&gt;
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 <comments>http://www.opendemocracy.net/article/pablo_picasso_has_words_for_colin_powell_from_the_other_side_of_death#comment</comments>
 <category domain="http://www.opendemocracy.net/taxonomy/term/475">Ariel Dorfman</category>
 <category domain="http://www.opendemocracy.net/editorial_tags/arts_cultures">arts &amp;amp; cultures</category>
 <category domain="http://www.opendemocracy.net/taxonomy/term/53">Original Copyright</category>
 <pubDate>Tue, 25 Feb 2003 00:00:00 +0000</pubDate>
 <dc:creator />
 <guid isPermaLink="false">1002 at http://www.opendemocracy.net</guid>
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