Jacob Lawrence (1917-2000) was one of the most distinguished African American painters of the twentieth century. Known for narrative series depicting important events in American history he came to prominence through the "Migration Series" (1941) illustrating the south-to-north mass migration of African Americans after the first world war.
The sixty panels in this series recount vividly the story of the migrants who journeyed north in search of a better life. Each painting is accompanied by a description to add a further dimension to the visual narrative. It is, however, what is left unsaid that is often most poignant in Lawrence's work. In the painting below he substitutes the grotesquery of a lynching and the heckling of an angry mob with the simple yet highly emotive image of an empty noose dangling from the tree and a grieving woman huddled up by its side.
Lawrence's panels convey the discrimination and lack of identity suffered by African American migrants. As the blog "(Notes on) Politics, Theory & Photography" has observed:
"in this series Lawrence also tends to paint African Americans in silhouette ... even as he regularly paints Caucasians with discernable facial features. Lawrence's migrants, then tend to be anonymous, often members of largish groups."
Nonetheless, Lawrence's paintings are effective in conveying both the hardships faced by the migrants and also the courage with which they made their journeys. As Lawrence himself has said:
"Uprooting yourself from one way of life to make your way in another involves conflict and struggle. But out of the struggle comes a kind of power, and even beauty. I tried to convey this in the rhythm of the pictures, and in the repetition of certain images."