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About Augusto Come

Augusto Come is a student of the Paris School of International Affairs and  Moscow State Institute of International Relations (MGIMO). He is interested in issues of democracy and transition in the post-Soviet space.

Articles by Augusto Come

This week's editors

RB, editor

Rosemary Bechler edits openDemocracy's main site.

Parvati Nair directs the United Nations University Institute on Globalization, Culture and Mobility.

MM

Cameron Thibos edits Mediterranean Journeys in Hope.

En Liang Khong is assistant editor at openDemocracy.

Alex Sakalis is the editor of Can Europe Make It?

Constitutional conventions: best practice

Corruption, corruption, corruption

Russia’s higher education institutions are popularly assumed to be among the most corrupt in the country. Augusto Come considers how the perceptions and realities of corruption in education will eventually impact Russia’s youngest generations (photo: www.obozrevatel.com).

Young, brilliant and (so far) politically oblivious

The Moscow State Institute of International Relations (MGIMO) is one of the most prestigious universities in Russia. The School abounds in clever and often rich young students, groomed to be the stars of tomorrow’s elite. Yet this privileged group is also one that has ousted politics from its daily life and — so far at least — has failed to respond to the momentous events currently shaking the country.

Russia’s queer democratisation

LGBT people in Russia face a daily battle with homophobia and discrimination, and the decision to ban tomorrow's Gay Pride is but a symbol of that. Yet a new generation of activists give many reasons to be optimistic, writes Augusto Come. Their determined fight for rights is playing an important part in a more general democratisation of the country.

On Putin, Berlusconi and chimpanzees

Putin and Berlusconi constructed their careers based on an idea of virility at a time when the concept seemed to many to be outdated. Augusto Come investigates the strategies both have employed, and finds a striking association with images from the fascist past.

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