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About David Hayes
David Hayes is deputy editor of openDemocracy, which he co-founded
in 2000. He has written textbooks on human rights and terrorism, and was a contributor to Town and Country (Jonathan Cape, 1998). His work has been published in PN Review, the Irish Times, El Pais, the Iran Times International, the Canberra Times, the Scotsman, the New Statesman and The Absolute Game.
He has edited five print collections of material from the openDemocracy website, including Europe and Islam; Turkey: Writers, Politics, and Free Speech; and Europe: Visions, Realities, Futures. He is the editor of Fred Halliday's Political Journeys - the openDemocracy Essays (Saqi, 2011)
Articles by David Hayes
This week's editor
En Liang Khong is a submissions editor at openDemocracy and a freelance journalist.
The Armenian genocide
Yemen - easy to get wrong
Through the bars
No to TTIP
Meteoric rise of Islamic State
The English composer Cornelius Cardew (1936-81) was among the most adventurous, controversial and innovative musicians of his generation. After an initial association with Stockhausen and the European avant-garde, he became engaged with the aesthetic ideas of John Cage and the New York school. A leading figure in the experimental music of the 1960s, Cardew is widely acknowledged as a pioneer of indeterminacy, graphic notation, free improvisation and performer involvement.
I was thinking about Cambodia tonight.
I remembered the Ben Kiernan story about his first visit back after the genocide, and how he asked a Khmer Rouge cadre what had happened to an arrested man in a village. “We killed him for the time being”.
I remembered the story of how the peaceable Cham were hunted down and massacred because they were not pure Khmer.
I remembered reading Francois Ponchaud and Lek Hor Tan on the pathology of absolute power, and then finding a leftist magazine discussing the Kampuchean “workers’ state”.
Philippe: What is the World Cup really about? Money, pure and simple. This is a beanfest for global corporations. The statistics on sponsorship, advertising, and merchandising are staggering. The top fifteen sponsors – McDonalds, Budweiser, NTT, Gillette, the usual suspects – will pay FIFA, the world governing body, £375 million to display their images at the tournament. Adidas is paying ten teams around £60 million to wear their products. And the money is not just decoration – it has colonised the very soul of the game. Brazil is a franchise of Nike.
The greater and more influential an artist, the harder she or he can be to see. Can this be true of Bob Dylan, who turns 65 today? It is difficult to imagine the history of the last four and a half decades in popular music without him, so pervasive has his impact been – and not just in the west (dozens of countries around the world, from Russia to Japan and Chile to [South] Vietnam, had "their" Bob Dylan in the 1960s).
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