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About Yasmin Gunaratnam

Yasmin Gunaratnam is Reader in Sociology at Goldsmiths College and is a member of the Media Diversified Writers Collective. Her book Death and the Migrant was published by Bloomsbury Academic in 2013.

Articles by Yasmin Gunaratnam

This week’s front page editor

Constitutional conventions: best practice

‘Go Home?’ – five years on

On bordering, the referendum and Windrush: "It might be a dangerous moment but it is a moment when the old tricks of government cannot be repeated." Chain letter between UK researchers, June – September, 2018.

Intersectional pain: what I’ve learned from hospices and feminism of colour

Might pain and oppression be like love—a simple thunderbolt at times, and in other circumstances complex and slow burning over generations? 

Sick and tired: Sri Lankan domestic workers fight back against violence

As protesters demand justice for domestic workers after a brutal assault, isn't it time we all became sick and tired of violence and exploitation hidden away from the public sphere in the home?

Allegations of assault by guards at a UK detention centre

Migrants detained out of sight in government lock-ups are uniquely vulnerable. Six miles from Oxford, at Campsfield House Immigration Removal Centre, detainees claim that guards have beaten a man.

Stephen Sutton and the politics of the deathbed smile

In the political economy of modern dying, Stephen's Sutton's death from cancer - wrapped up in cheery charity fundraising - made headlines, while the worst ever Turkish mining disaster went under the radar. Part of Transformation's liberation series.

Combating racism at an English university: I, Too, Am Oxford

'Student experience' is not just about teaching and learning, assessment and feedback. Fellow students' racism causes lifelong damage. Fresh campaigns by students on both sides of the Atlantic expose ignorance and abuse with strength, solidarity and wit.

Diasporic walking sticks

In the cultural realm, we rarely talk about failing bodies, dialysis and dependency. Stuart Hall is one of those who did. Following him, what might it take to create new cultural resources from which to bring post-colonial debility and its histories into the cultural imagination? 

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