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# The Beat goes on
- URL: https://www.opendemocracy.net/en/article-1725jsp/
- Published: 2004-02-12T00:02:00.000Z
- Updated: 2026-04-17T11:12:51.000Z
- Author: Michael Horovitz
- Tags: #en, #Migrated, #Import 2026-04-09 19:08, #ImagesUploaded

Allen Ginsberg introduced Michael Horovitz to New York in 1970 as a popular, experienced, experimental, New Jerusalem, Jazz Generation, Sensitive Bard. Martin Amis later praised him as a dreamer, a maverick  transmedial crusader. He is also known as a far-out, free-range or spontaneous bop troubadour, and is widely considered to be one of the last great [Beat poets](http://www.nagasaki-gaigo.ac.jp/ishikawa/amlit/b/beats21.htm?ref=opendemocracy.net) from the generation of Jack Kerouac, Lawrence Ferlinghetti, and Allen Ginsberg himself.

While still a student in 1959, [Michael Horovitz](http://www.growinglifestyle.com/psearch/Author/Book/Michael%5FHorovitz/index.html?ref=opendemocracy.net) founded [*New Departures*](http://www.connectotel.com/PoetryOlympics?ref=opendemocracy.net), which became an influential avant-garde literary magazine in Britain. Across the next four decades, he published writers and creators of the calibre of William Burroughs, Samuel Beckett, John Cage, and Stevie Smith. His Poetry Olympics, an annual event launched at Westminster Abbey in 1980 and [featuring](http://www.ananova.com/news/story/sm%5F393996.html?menu&ref=opendemocracy.net) work from Ted Hughes to Paul McCartney, are legendary; while his *POW!* anthologies present a potent mix of jazz poetry, lyric and verse. Recent contributors include Patience Agbabi, Heathcote Williams, John Hegley, and the pop-rock musicians Damon Albarn and Paul Weller.

He is currently completing a view of modern Britain called *A New Waste Land*.

**Michael Horovitz: two poems**

![Michael Horovitz by David Hockney](https://www.opendemocracy.net/content/files/2026/04/horovitz-by-hockney_N1FMosz-1776424226350.jpg)

Michael Horovitz by David Hockney

*Michael Horovitz by David Hockney*

**in Paris** 

 arise at dawn from  
 foam rubber blue pillow  
 pink blanket piss flush  
 brush teeth  miss the feel  
 of rush mats underfoot as  
 in London  but never mind  
 that  I may be a Londoner  
 but this is Paris  down the  
 stairs jumping 3-at-a-time  
 out to the forecourt  Good-  
 Day *Sun*shine  ask young girls   
 student couples  restaurateurs  
 opening their doors for breakfast  
  for directions  fart belch  
 buy croissant & apple turnover   
 munch in streets (a small turn-  
 over)  read messages on walls  
 wind way through streets wide &  
 narrow  just noticing mosaic  
 of cobbles on streets  historic  
 architectures of church & lions  
 mouths and classic statues   
 bleach & iron smocked nuns in  
 convent vestibules  flamboyant  
 sexy walks of Paris business-ladies  
 lines from the past  A *lombre* 
 *des arbres et jeunes filles*   
 fall on grass in Luxembourg  
 Gardens tall trees & voices  
 in them laugh & rustle  
 their skirts & leaves  
  so young  so green  
 *Les lauriers sont coupés*  
  the garden of love  
 open & seen  flowers toss  
 their heads in the breeze  
  young lovers swing  
 their hips  I sneeze  
 for the earth is full  
 of sky today  & the sky  
 replete with sun  & birds  
 quietly jingling  their beaks  
 still snatching the  
 last shreds of night  
 plying darker lines of melody  
 across the dazzling noonday light

(taken from *Wordsounds & Sightlines* (1994), with kind permission of the author)

**For Felix Mendelssohn**

 What a wonderful life  
 it must have been  
 if you were Felix  
 Mendelssohn  rediscovering Bach  
 and bringing him to wide public  
 appreciation, adored by protégés  
 like Robert and Clara Schumann,  
 getting seasick on a whirl  
 round the storm-tossed Hebrides,  
 then stepping ashore and dashing off  
 Fingals Cave, and reprised at every  
 second wedding all over the Christian world  
 For your Incidental Music to  
 A Midsummer Nights Dream  
  how Id love  
 to have been him  
 though, come to think of it  
  if I had been him, Id be dead  
 by now

  then again, perhaps I was  
 Felix Mendelssohn  
 in another incarnation  
 closed to me

  till now.  
 Listening  
 to his Songs Without Words, I realise  
 that if I am indeed anything like  
 a composer, I have to  
 stop talking  
 and get on  
 with the music.

(January 2004)

![self portrait](https://www.opendemocracy.net/content/files/2026/04/self-portrait_9F3odod-1776424226394.jpg)

self portrait

Michael Horovitz (with Frieda Hughes) reads poetry for St Valentines Day at the National Portrait Gallery, London: Saturday 14 February, 3-4 pm, admission free.

He also performs in *The March of the Beats* at Kerouacs Poetic Cabaret, The White Swan, 13 Blackheath Road, London SE10: Thursday 19 February, 8.30pm.  
Email: [jcjazzman@yahoo.co.uk](mailto:jcjazzman@yahoo.co.uk).