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# Skinning up
- URL: https://www.opendemocracy.net/en/article-955jsp/
- Published: 2003-02-07T00:02:00.000Z
- Updated: 2019-02-14T22:47:00.000Z
- Author: Gavin Watson
- Tags: #en, #Migrated, #Import 2026-04-09 19:08

**Anamik Saha**: What are the roots of the Skinhead movement?

**Gavin Watson**: It was a natural transition from the 1960s Mod movement. The Mods were hijacked by the middle classes, and the Beatniks - before they turned into hippies. So the younger Mods hardened their image, wore stuff the middle classes wouldnt - donkey jackets and boots. They cut their hair shorter than anyone else, and after a football riot they were dubbed Skinheads by the tabloid the *Sun* newspaper. Originally theyd just called themselves hard Mods.

Get your strength thru' Oi!

Growing Pains

**AS** : What were the politics behind shaving your head?

**GW**: It was in total contrast to the hippy movement. It was a working class rebellion. Of course a shaved head has come to mean something different over the years, and changes according to context  from Buddhist monks, the gay scene to David Beckham.

Fighting Skills

**AS** : In your book, *Skins*, you say it was one of the most reviled yet misunderstood of all the youth subcultures. But wasnt the politics all about confrontation, challenging the *status quo*?

**GW**: Definitely. It was a punk attitude, a stand-off. Weve got our tribe, this is our area. This is who we are. This is our gang. Its the same with all gang culture. Ultimately it was a fashion, but it was quite a distinct one.

So perfect it frightens me

Skinny Jim

**AS** : Ive always associated Skinhead culture with the socio-economic and political climate of the time, growing up in the 1970s and 1980s. But your photographs convey a sense of innocence and youthfulness, an interesting challenge to the pervading stereotypes.

**GW**: I was around fourteen when I took these photographs. I wasnt a full-grown man hanging out with kids. Theyre pictures of my brother, friends, council estate, the school I went to. It was what I saw through my own eyes. I was into Madness and the Specials. I was young and innocent, a teenager growing up.

The people I photographed are just kids  maybe disturbed or violent, but still little teenage kids, acting hard. Its the reality of growing up on a council estate, in government housing, same as anywhere around the world. Its not what journalists are writing about, not what you see in the newspapers. Its reality. Now the kids are into rap and So Solid Crew. The music is different. But nothings changed.

Hanging out down the caff

Camera Press Skins

**AS** : You said that Skinheads were never a threat to world peace

**GW**: Right. It was just another subculture. We werent beamed in from Planet Nazi. But even intelligent people, who wouldnt believe a word of whats going on politically say with Bush, still they have incredible stereotypes about working class culture. All Skinheads are Nazis. Actually, it comes out of Jamaican culture.

Running up the flag

**AS** : Yes, the interaction between white and black youth in the reggae culture of the late 1960s. But its a popular conception that skinheads, racism and neo-nazism go together. So what did being a Skinhead mean to you?

**GW**: Originally, it meant a great laugh. Discovering Madness. Having my hair cut - and the things all teenagers go through the world over: finding a sense of belonging and working towards autonomy. Thats how it started for me. For others it mightve been Led Zeppelin, whatever. But it got me into my teenage years. I felt protected. I grew up in a very, *very* violent place. For many of us, being a Skinhead was about protection. We had our mates. Wed watch each others backs.

Shy and retiring

**AS** : And the symbolism in shaving your head?

**GW**: It was a personal commitment. You couldnt just be a weekend punk. You had to be a Skinhead. You had to go to work as a Skinhead. You had to start your life as a skinhead. When you went to a job interview, you had to fight against what people thought of you. It was a matter of pride. A statement: Ive chosen this, it means a hell of a lot to me. In a way, just by shaving your head then, you became a Skinhead. You committed yourself at a time when you were vilified. Now, after David Beckham, everyones done it. But back in the late 1970s and 1980s, there was a lot of violence. Being a Skinhead was your way of saying, This is my tribe. This is where I come from.

Carved from stone

**AS** : Have Skinheads been co-opted by the mainstream?

**GW**: Its still vilified, but then every fashion house has my book. Paul Smith used my photographs to design part of a fashion collection. Clarks shoes used the images for inspiration. Skinheads influenced modern male culture, especially the late 1990s lad culture. All the late-20s guys who used to be terrified of Skinheads could buy their Crombie coat, shave their heads and act hard, *Lock Stock and Two Smoking Barrels*\-style. At the time, theyd never have had a Skinhead. But suddenly it was safe. Now its acceptable to look like a total Skinhead, without even thinking you look like one. But I stopped being one a long time ago.

Light Reading

**AS** : Im Asian, 25 years old, and I grew up in the late 1980s. Obviously Skinheadism was something I felt quite intimidated by

**GW**: Im not surprised! The Indians and Asians were the new immigrants and there was a lot of fear. They took the brunt of it, the same way the Somalis do now. I heard about a middle-aged Sikh recently who beat up a Somali, saying, You dont belong here, you dont come from round here, get back to your own country. Its a horrible story, but my point is this: were all bastards, whatever colour we are. Good people, bad people. Its not a colour or genes thing, not natural but societal. Were all bastards, mixed in together.

I remember an exhibition I had where four civil servants came every night, utterly fascinated by Skinhead culture. One of them, an Asian, got interested in Skinheads after he was beaten up on a bus going to Brixton. He knew more about Skinheads than anyone. What does that make him? They were Skinhead train-spotters. It was great. I had working-class people from the West Indies, Asia, all over the place, saying the Skinhead culture had influenced them. Its just what happens when you live in a tight community, however widely that spreads  you might go down the pub looking like a Nazi Skinhead but youll be swapping teabags the next day. Thats the reality.

The Traditionalist

**AS** : About five years ago, the second-generation Asian thing became a fashion. Quite funny for me, actually, suddenly to become a fashion, and I remember a photoshoot of Asian youths dressed up as Skinheads

**GW**: Exactly. Its all pretty mixed up now. But when I started taking photographs it was against a society that was training you to be an exhaust-fitter or table-leg maker. So I was a Skinhead for ten years. I was a nasty bastard. Six of my mates died. Ive been stabbed, put in prison.

I think that thats why the photographs look so innocent. There was so much nastiness around me, I didnt want to photograph it. If Id come in as an outsider, Id have been waiting for the shit to happen. But I was actually living the nasty bits  being poor and working class. I didnt want to photograph them as well. I just wanted to photograph the good times we were having.

Tourist

*Interview by *Anamik Saha**