Katia Chornik is a cultural historian and music scholar. She directs the digital project Cantos Cautivos (Captive Songs, www.cantoscautivos.org). She is the author of Alejo Carpentier and the Musical Text (Routledge, 2015). Her second book, Captive Songs: Music in Political Detention Centres in Pinochet’s Chile, will be published by Oxford University Press in 2023. She has written articles for the BBC, The Guardian and The Economist, among other media outlets.
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Published in: democraciaAbiertaViolência sexual, centro de tortura e luta pela memória histórica no ChileAtivistas estão lutando contra a possível demolição de um notório centro de detenção clandestino, na esperança de...
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Published in: democraciaAbiertaSexual violence, torture and Chile’s struggle for historical memoryActivists are battling the possible demolition of a notorious clandestine detention centre, hoping to transform it...
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Published in: democraciaAbiertaViolencia sexual, tortura y memoria histórica en Chile
Activistas luchan contra la posible demolición del notorio centro de detención clandestino, el cual desean convertir...