-
Published in: North Africa, West AsiaSyrian cinema: motion picture in the age of transformationThe image can be an act of resistance and testimony that helps to understand the origins and development of the...
-
Published in: North Africa, West AsiaHow do Syrian directors see censorship today?Towards a new understanding of censorship, and its impact on Syrian cinema.
-
Published in: North Africa, West AsiaFilming Syria: the politics of accessDoes Ahmad Ghossein's film contribute to the erasure of the history of the Syrian revolution?
-
Published in: North Africa, West AsiaThe diasporic alienation of Syrian cinemaIn the absence of Syrian screening platforms, who is the audience?
-
Published in: North Africa, West AsiaNew Cinema in Syria: The revolution continues, but so does censorshipSyrian cinema has more or less escaped regime censorship, or else we would not have witnessed new films and...
-
Published in: North Africa, West AsiaThe audience of Syrian cinema in Germany: between production and restrictionsWhat does the Syrian cinema look like in the Federal Republic of Germany and who is its audience?
-
Published in: North Africa, West AsiaNew Syrian cinema: young and gaspingDespite what many call a global news fatigue with Syria, powerful films continue to emerge.
-
Published in: North Africa, West AsiaTraditions of absence and ambiguity: the Syrian documentary and its publicWhy are Syrian documentaries detached from the Syrian audience?
-
Published in: North Africa, West AsiaMutations of Arab political filmmakingThe 2011 uprisings marked a turning point, as new forms of cinematic language and style began to emerge.
-
Published in: North Africa, West AsiaThe Syrian public and its cinema: funding priorities - Part IIDo Syrian directors or producers have a role in determining the target audience?
-
Published in: North Africa, West AsiaThe Syrian public and its cinema: A tale of estrangement - Part IBetween stories that tell their daily lives before another audience and films that broadcast the regime’s ideology,...
