Top: Mr Dean (David Ferrar), Sister Clodagh (Deborah Kerr), and Sister Ruth (Kathleen Byron) Middle 2 & 3: Sister Ruth completes her transformation while (off camera) Sister Clodagh watches Bottom:
Nixon admires Elviss cuff links while presidential aide Egil Krogh looks on. On the table are gifts from Elvis to Nixon, including photographs and a Colt 45 pistol.
For
openDemocracy and Q-News invited Hisham Hellyer, a researcher in European multiculturalism from the University of Warwick, Humera Khan, a founding member of the An-Nisa society, Fuad Nahdi, editor
The rusting hulks of machinery and the deserted ghost towns of the Humberstone and Santa Laura mining complexes are among the last vestiges of the company towns of Chiles
This letter is addressed to the following:
* Ayatollah Sayyid Ali Khamenei (Supreme Leader of the Islamic Republic of Iran)
* Hojjatoleslam Sayyid Mohammad Khatami (President of the Islamic Republic of Iran)
Isaac Abravanel: das Gastmahl des Levithan, 2004. oil, emulsion, acrylic on canvas with lead boats.
Inspired by Russian futurist poet Velimir Khlebnikov, this exhibition is the first of a two
Grand golf tournament by professional players, 1867
Sunshine on Leith
The Proclaimers
My heart was broken, my heart was broken
Sorrow sorrow sorrow sorrow
My heart was broken, my heart
A Serb woman holds a photograph of a missing relative at a protest in Pristina against the disappearance of Serbs kidnapped in Kosovo, Andrija Ilic, 1998
This photograph is part
This image is from the Transparency project run by the award-winning development organisation PhotoVoice. See the openDemocracy article London through refugee eyes for more information and images.
Still from The Cow, 1969, dir. Dariush Mehrjui Image courtesy of Iranian.com
The Cow follows the story of a farmer who owns the only cow in his village. The
Self-portrait, Lida Abdul, http://www.lidaabdul.com/index.html
"Sometimes people say, I am "post-identity", "post-nation" ... I dont know what this
