Kyrgyzstan-Germany, 2005, 85 min, Director/Script: Ernest Abdyshaparov. With Kumondor Abylov, Askat, Sulaimanov, Tabyldy Aktakov. NFT 2, Tuesday 4 pm
We are in the fourteenth year after the Soviet Union
Days and Hours (Kod amidze Idriza)
Sunday 23rd October, 20:45, NFT
Pjer Žalica's film casts a subtle and compassionate eye over the everyday activities of a rural
The hours go by (Como pasan las horas)
Sunday 23rd October, 16.15, ICA
“Things change”, says the dying mother Virginia near the end of Oliveira Cézar’s film, “The
Welcome to openDemocracy’s London Film Festival 2005 blog. openDemocracy has been reviewing films from the festival for the last three years. This year the selection of films on show
Maria's message on the Arria Formula offers us not just an opportunity to celebrate, but also an important challenge to reflect. On one hand, the Arria Formula was
Women, War, Peace and Violence Against Women. (womenwarpeace.org)
What is violence against women? Women War Peace defines it, shows what can be done, and highlights the work of UNIFEM.
Congratulations to all on the amazing discussion that is currently taking place. Also, from Maria's email it sounds as though a phenomenal amount of work is being done
Yesterday was a really big day here at UN headquarters. At lunchtime there were three different 1325 events happening at the same time, which was rather frustrating- a women and
On the 31st of this month, in cooperation with Women in Black-Belgrade's conference on "Women, Peace, Security," our allies in the parliament will introduce a "
Women are willing to make a difference on the international theater. But can children? The last part of the Toolkit (by IA and WWP) underlines the plight facing so many
Contents
1. UN SCR 1325 needs to be better known and better understood
2. UN SCR 1325 needs to be better enforced
3. The participation/representation of women must go
Contents
...
8. How democracy can be made to work
9. How to cope with vulnerability and combat victimisation
10.How to defend women’s human rights
11.Towards a ‘bloodless
