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The jargon of identity

Insofar as the criterion of 'authenticity' supplants that of truth, the “who” of the artist displaces the questions of the “what” and the “how” of the objectivity of the artwork

The jargon of identity
Mural at George Washington High School in San Francisco. | Victor Arnautoff. All rights reserved.
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It could be argued that contemporary identity politics on right and left responds to what Mark Fisher calls the “slow cancellation of the future,” with a zealous, quasi-religious search for meaning that places critical reason in question.

To understand such a search we might look at Theodor W. Adorno's critique of Martin Heidegger’s “jargon of authenticity.” Adorno argues that the impulse towards authenticity reveals a desire for an elusive form of concreteness in a world increasingly governed by the rule of abstraction.

The young Nietzsche, in On “Truth and Lies in a Non-moral Sense”, discusses ideal abstractions as a way of conceptualising a given object by extracting the most general predicates of particular examples of that object. And this act of extraction is precisely an act of abstraction.