Damien Froidevaux’s Death of the Serpent God is not about politics, and yet it is a deeply political film. At the Open City Documentary Festival on 18 June 2015.
Måns Månsson’s film Stranded in Canton straddles false promises and Sino-African culture clash. At the Open City Documentary Festival on 17 June 2015.
Long regarded as the biggest threat to Turkey’s political system and territorial integrity, the Kurds have emerged as the champion of Turkish democracy and protector of the country’s parliamentary regime.
HDP success cannot be understood without taking into consideration the ongoing Kurdish spring in Iraq, Syria and Turkey over the last decade.
Andrea Luka Zimmerman’s film Estate, a Reverie, is an unruly celebration of extraordinary everyday humanity. At the Open City Documentary Festival on 21 June 2015.
Morgan Knibbe’s film Those Who Feel the Fire Burning offers up a powerful meditation on migrant deaths, the Mediterranean, and powerlessness. At the Open City Documentary Festival on 17 June 2015.
Andrea Luka Zimmerman’s film Estate, a Reverie is a moving documentation of what gentrification really means to those affected by it. At the Open City Documentary Festival on 21 June 2015.
Chloe Ruthven’s film Jungle Sisters hurtles through the complexity of industrial development in south India. At the Open City Documentary Festival on 18 June 2015.
As an anthropologist and ethnographer, I attempt to gain access to the participants’ memories in the way I would have liked to have been interviewed.
Using participatory, biographical and visual methods, we got in touch with women’s ‘realities’ in a way that demanded critical reflection.
It is no longer the extraordinariness of the image, but rather its familiarity that lends credibility to the representation of how these immigrant women have made new lives in the city.
The heart of tax injustice is gender dominance, the language of secrecy, and an industry and culture which under free-market rules has normalised the subjugation and exclusion of women.
