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Appropriation and de-politicization: the uncomfortable discussion on Umm Kulthum in Berlin

An open letter about intellectual and artistic spaces being used to quash a side of the debate, to delegitimize voices and valid criticism instead of engaging in much needed intellectual debates.

Published:
Umm_Kulthum_funeral.jpg
Umm_Kulthum_funeral.jpg

Funeral of Umm Kulthum, 1975. Middle East Broadcasting Center. Public domain. This is a response to HAU Hebbel am Ufer's statement regarding the criticism surrounding their event "Diva: Celebrating Oum Kalthoum // Ariel Efraim Ashbel & friends"; and the article appearing in Der Tagesspiegel where HAU director Annemie Vanackere dismisses the criticism as "identity politics", portraying a "theatre" of "multiculturalism" and "bridges". 

I had the opportunity to meet Ms. Vanackere when I participated in a panel at HAU that centred (in part) around some currents in the "white left" and European art circles refusing any criticism towards Islam in the context of fighting Islamophobia. Something I am against. Islamophobia is a serious form of discrimination, and it should be faced, but it shouldn't become a lazy argument to discredit critical voices within Islam or around it. Back then I also spoke about the complexities in my own personal experience of being a Queer, Muslim, Atheist, Migrant living in Germany with a set of privileges (lighter skin, artist stature..etc). 

I think there will be a letter that is being prepared by Arab and non-Arab artists to respond to the event, and to detail the criticism. But I decided to speak up as the article in Tagesspiegel is quite dangerous and to be honest, offensive. Above all, it is offensive to the intellect of those who have engaged in discussion with the artist and HAU to detail the reasons for why this event is problematic.