This is probably part of the intention of the European Commission… not only to outsource migration control to other countries but to put its obvious consequences for human lives out of sight.
In Lebanon, a women-only group of migrant domestic workers have come together to fight for rights in the workplace.
As the EU turns away from international human rights commitments, asserting border controls at almost any cost including that to humanitarian activists, what role can art play?
إن الانتظار اليوم هو مسلسلُ سوري بامتياز والسوريون هم من يؤدون كلّ أدوارهِ دون أن يعرفوا متى سيتمكنون من التخلصِ منه.
Tougher internal controls under Macron are only giving police more powers, allowing them to conduct identity checks in emergency shelters. Brutality towards migrants is likely to become even more common.
While many Amazigh were marginalized and discriminated against during the Gaddafi era, they are now the vanguard in promoting minority rights. -->
Refugee rights are reserved for the few lucky enough to evade the sophisticated deterrence regime, while the vast majority of the world’s refugees are referred to a life in semi-permanent limbo.
“I left Afghanistan because I didn’t want to kill for the Taliban... I could not do that, but European life is very dangerous too: I never thought it would be like this.”
“Let us first understand the problem. The power to define is at the heart of the struggle of people that are usually (made) invisible, unheard, disposable.”
When states criminalise help, is it a sign of active citizenship to disobey?
It is time for the issue of race to become central to any discussion on the continued exploitation of workers in the Gulf.
Artists are mapping new itineraries of the Mediterranean, throwing into relief an incurable colonial wound that continues to bleed into the present.
