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Bob Dylan: revolution in the head, revisited

The most influential and original musician of the 1960s generation remains a figure of protean creativity half a century on. The wealth of attention still devoted to Bob Dylan is testament to a career of astonishing range. It also reflects the complex legacy of a formative decade which Dylan’s son

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A great artist’s landmark birthday tends to be a retrospect. Here too Bob Dylan, born on 24 May 1941, extends the pattern of a lifetime in subverting expectations. For the American singer and songwriter, whose pioneering work in the 1960s made him the most influential figure of popular music in that decade, became in his own 60s if anything even more famous than he had been in his meteoric 20s.

The media deluge that surrounds his 70th birthday - tributes, articles and profiles galore, new books and new editions of books, career reviews, and countless items in the “Dylan and me” sub-genre - is evidence of this rediscovery of a figure who (it is hard to recall now) was regarded during parts of the 1980s and 1990s as no longer of fresh interest artistically.

In great part the recognition is owed to Dylan’s immense and diverse creative efforts since the late 1990s. The turning-point may have been 1997, when the singer received emergency medical treatment for a serious heart infection. In the same year Dylan issued the first of what would become a series of three acclaimed albums of original songs (Time Out of Mind, Love and Theft, Together Through Life).