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Psychedelic Nostalgia: Barlow on the early days of LSD

Former Grateful Dead lyricist John Perry Barlow's reminiscences on the introduction of LSD to the American consciousness.
Charles Shaw
24 May 2010

Alternet  has recently published an adapted version of John Perry Barlow's Foreword to Birth of a Psychedelic Culture: Conversations about Leary, the Harvard Experiments, Millbrook and the Sixties, by Ram Dass and Ralph Metzner with Gary Bravo (Synergetic Press). This Foreward was originally published on Reality Sandwich.

 

"LSD is a drug that produces fear in people who don’t take it."

–Timothy Leary

Everybody who continues to obsess on the hilariously terrifying cultural epoch known as the ‘60s – which is to say, most everybody from “my gege-generation,” the post-War demographic bulge that achieved permanent adolescence during that era – has his or her own sense of when the ‘60s really began. There are a lot of candidates: the blossoming pink cloud in the Zapruder film, Mario Savio’s first speech in Sproul Plaza, the passage of the Gulf of Tonkin Resolution, the Beatles’ first appearance on the the Ed Sullivan Show, the first Acid Test, the Human Be-In in Golden Gate Park, the release of the song “Good Vibrations,” the day Jerry Garcia got kicked out of the army. But as often as not, if you are a Boomer, the ‘60s began for surreal on the day you dropped acid...

One can make a non-ludicrous case that the most important event in the cultural history of America since the 1860s was the introduction of LSD. Before acid hit American culture, even the rebels believed, as Thoreau, Emerson and Whitman implicitly did, in something like God-given authority. Authority, all agreed, derived from a system wherein God or Dad (or, more often, both) was on top and you were on the bottom. And it was no joke. Whatever else one might think of authority, it was not funny. But after one had rewired one’s self with LSD, authority – with its preening pomp, its affection for ridiculous rituals of office, its fulsome grandiloquence, and eventually, and sublimely, its tarantella around Mutually Assured Destruction – became hilarious to us and there wasn’t much we could do about it.

No matter how huge and fearsome the puppets, once one’s perceptions were wiped clean enough by the psychedelic solvent to behold their strings and the mechanical jerkiness of their behavior, it was hard to suppress the giggles. Though our hilarity has since been leavened with tragedy, loss, and a more appropriate sense of our own foolishness, we’re laughing still.

 

Source: Alternet

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