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Terry Pratchett's Discworld: where we are all heroes

As a reader and a writer, I'm over the idea of the 'one true heir'. Fantasy does not concern itself with utopia, it's about fairness.

Published:
 Blastr.com.
Blastr.com.

Pratchett's Discworld rests on the backs of four elephants, which rest on the giant turtle Great A'Tuin. Credit: Blastr.com.

The Nac Mac Feegle, the six inch high, aggressive fairies of Terry Pratchett’s Discworld series, believe themselves to be in heaven. With all its opportunities for thievery, brawling, drinking, trouble-making and adventure, what place could possibly be better than where they find themselves right now?

But fantasy in general does not concern itself much with ideas of utopia. I can think of some that do: J. R. R. Tolkien’s The Silmarillion about Valinor, the perfect haven of the elves; the end of C. S. Lewis’s The Last Battle, which is essentially a glimpse of heaven as Lewis imagined it. Both of these are older and written in part with a religious purpose, using fantasy settings as allegory.