I
am just back in LA, Louisiana, at 2 this Monday morning, from a long
weekend's work in the other punctuated L.A., having been engaged in
massive video and interactive site screenings/evaluations on the Universal Studios lot, in the heart of scenic Burbank, California.
It is a truly an odd – rich and colorful, but simultaneously dingy and
characterless -- city, several neighborhoods of which try to disguise
their true municipal affiliation by calling themselves “North
Hollywood”.
In
my dozens of trips to the place to work I have found no edible food – a
primary concern for someone from New Orleans -- and often have wondered
why. I now think I may have a possible theory.
This
particular assignment, especially night meetings working among the real
denizens of Burbank, seemed to me otherworldly, disconnected from
reality. After animated aesthetic discussion of editing, framing,
scoring and soundtracks, I was hearing equal conversation about the
economic dollar value of cars, houses, jewelry, divorces, trophy wives.
Pool boys, horses, and beach hideaways. After a restaurant-based
planning session at which no one ate or drank, cars were brought out
from valet parking in descending order of their estimated worth. First
the Bentleys, then the Rolls, the Ferraris, the Jags, the Hummers and
Cadillacs. Brightly polished, each was brought out and returned to
their well-heeled owners by white-gloved attendants. Then lastly, after
a 45-minute wait, my solo rental car appeared. None of the
well-dressed car-hops really wished to look at it, much less drive it,
lest they be inflicted with a contagious low to middle-class income in
the future.
My
forty-eight hours human exposure on this trip approximated my idea of
what it would be like to do daily business among the legendary aliens of
Roswell, New Mexico,
or to deal with the experience of mingling with off-worlders at a
radioactive lunch counter in the Southwest’s legendarily hypersecret Area 51.
To
be even more completely site-specific about my exact Location –
capitalized Location is of utmost importance in Southern California in
every aspect of life -- the screening room where I sat for hours on end
Friday and Saturday was embedded in heart of the Alfred Hitchcock
Building, which itself can be accessed from the west by the
two-block-long Jimi Hendrix Drive.
I am unsure of the intent or geographic metaphor of the named
proximity, but again the poetic implications were unsettling to note as I
was driven to my workplace.
The
gig was good, if only ephemerally connected to what I really do, and
today back in New Orleans with only three hours’ disturbed sleep, I am
hugely tired, though somehow still alive.
My
soul, however, feels a tad scorched and abraded from close and frequent
proximity to the aesthetic excesses and value systems that inherently
accompany a California driver's license.
In
conversation, the industry locals and local-wannabes give off a
black-and-white 1950’s zombie movie vibe, staggering about, arms
extended to the front, looking for brains of some sort. This could be
considered a coincidentally natural phenomenon, seeing that the
Hollywood industry is the current source of multiple new broadcast/cablecast series, games and feature films
starring such creatures. The phenomenon of the fifties has returned
en masse, and they are looking to make you join their number. Zombiezonenews.com
lists 26 zombie-themed films in production in 2011 alone, including
such soon-to-be-classics of the genre as “Harvard Zombie Massacre” and
“Revenge of the Bimbo Zombie Killers”.
The
concept myth recently moved exponentially from fantasy “creature
feature” mode to a position much closer to reality when Dr Ali Khan, a
disaster specialist at the US national Center for Disease Control
actually set out sanitation guidelines for dealing with zombies on a social and physical level. He later said the whole article, entitled “Zombie Apocalypse”, was “tongue in cheek”.
His phrasing ironically seemed to make the information all the more
real, seeing as how rotting zombie faces almost always expose tongue in
cheek.
In
his report on the official CDC site Dr Khan went on to describe the
origins of the term: “The word zombie comes from Haitian and New
Orleans voodoo origins. Although its meaning has changed slightly over
the years, it refers to a human corpse mysteriously reanimated to serve
the undead.”
I
was immediately caught by his description. Not only are the beasties
connected to my home town, but the “human corpse mysteriously reanimated
to serve the undead” reference seemed to perfectly jibe with the West
Coast Industry people I had met during my stay.
I
am now a believer. My dealings with card-carrying residents of the
area should be vastly easier and more transparent now that I know that
the zombie factor is deeply imbedded in the local culture.
Tongue-in-cheek, of course.
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