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The Joyce Girl and the mad wives of modernism

Annabel Abbs' debut novel explores the life of Lucia Joyce - daughter of James - whose desire for an independent life is denied, much like those of Zelda Fitzgerald and Vivienne Eliot.

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Having spent the last three years working on a novel about the women living on the 1920s Parisian Left Bank, it’s fair to say I’ve become a bit of an expert on the intricacies of these fascinating women’s lives. So it was with a great deal of interest that I picked up Annabel Abbs’ debut, The Joyce Girl.  Through my own research, I was fairly familiar with the details of her heroine Lucia Joyce’s life. I knew, for example, that she was taught ballet by Zelda Fitzgerald’s teacher; and that she was in love with her father’s literary heir Samuel Beckett.

 And, of course, I knew that she went mad.

In her novel, Abbs breathes life into Lucia - telling her story in a breathless, energetic voice. Her writing is full of the rich, sensual atmosphere of 1920s Paris, and she provides a new insight into the world of the Joyce family. Most importantly, Abbs explores the overlapping oppressions that drove Lucia, and so many women like her, into “madness”.