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Idols & Insults: writing, religion, and freedom of expression

The "Idols & Insults: Writing, Religion, and Freedom of Expression" event took place in April 2006 as part of the PEN New York World Voices festival. For more information see www.pen.org.

Listen to the full event (80.47mins)
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Ian Buruma: introduction

In principle we all agree that free speech is a good thing – the question is really what happens after the word “but”. What are the conditions that limit free speech? There are laws against hate and free speech, but apart from these laws there may be other conditions – respect, public order to mention a few.

Do we need a modern-day Voltaire? To what extent is there a difference between Voltaire (who was up against two of the most powerful institutions in 18th century France) and speaking out against a religion (Islam) that is held by an already vulnerable minority in Europe.

Listen to Ian Buruma’s introduction (5.20mins)
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These recordings are part a series of audio features from the PEN World Voices literary festival in New York

Also in the series on openDemocracy:

"Argumentative Indians: Amartya Sen and Salman Rushdie in conversation" (May, 2006)

"Freedom to write: Orhan Pamuk, Margaret Atwood and Salman Rushdie" (April, 2006)

Juan Luis Cebrián, editor El Pais

"When we talk about freedom, one of the first considerations is freedom of thinking – freedom of disagreeing with others, and of disagreeing with god. Freedom of speech is a consequence of that and the root of many other civil rights."

Listen to Juan Luis Cebrián (5.34mins)
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Upamanyu Chatterjee, Indian novelist and civil servant

"My position on the subject is clear, almost banal. I'm all for idols or insults – I support writing, religion and freedom of expression. The maxim is clear – let a thousand flowers bloom as long as we don't hurt anybody …. We all know religion is a sensitive business, a matter of culture and belief. When one can't understand a particular religion, one should leave it alone till one can. In fact, one can best analyse and assault it when one has understood it fully. An extension of this idea simply is that the notion that if you have to criticise a religion or a culture you should start only with your own."

Listen to Upamanyu Chatterjee (3.59mins)
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Hans Magnus Enzensberger, German writer, poet, essayist

"Freedom of speech took a very long time. It is a thing which is very difficult to accept, it takes training. You hear instances of 'he lost his nerve and viciously attacked freedom of speech and said at one point that journalists should be shot. He did not spare his enemies.' What does this mean? He could not attack but he could not bear to be attacked. In the present cultural conflicts this plays a role. I don't know about America, but the British yellow press is up to destroy and humiliate people. Still we have learnt to bear with the freedom of expression. In the present culture of conflict you many people are becoming more and more sensitive and in transcultural terms there is complete lack of reciprocity."

Listen to Hans Magnus Enzensberger (6.13mins)
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Nilüfer Göle, Turkish academic

"Freedom of speech is a taboo breaking process … firstly in an ideological sense, but then taboos that are intrinsic to the society (social mores). It is sometimes difficult to have free speech in society. These norms that are bothering us are related to religion – it is not only related to state power but coming from society and community. But also, new norms are becoming new taboos…"

Listen to Nilüfer Göle (8.17mins)
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Ayaan Hirsi Ali, Dutch-Somali writer, former politician

"Can and should religion be open to criticism, satire? The central question is should it be open? Sometimes it's necessary, sometimes it's fun, sometimes it's urgent."

Listen to Ayaan Hirsi Ali (6.01mins)
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Tariq Ramadan, Swiss–Egyptian philosopher

"It's as if out of all this crisis we got authorisation of values : we have got our values and Islam cannot accept it and vice versa. To ridicule religion is part of a long history in the west – and you can see this in our daily life. Muslims are not so used to that. There is a tradition in Islamic history but it is not the same way of laughing. When you are a European Muslim or living in the west, as a Muslim you need to take a critical distance."

Listen to Tariq Ramadan (14.13mins)
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Ian Buruma's closing question: power politics

It might be useful to sharpen our thoughts on the question of power. Should it make a difference whether people are addressing those with power – or the powerless?

Ian Buruma's closing question: power politics (8.13mins)
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Audience Q & A

Question 1

What does respect mean – how can work still be meaningful without self-censoring?

Listen to question 1: what does respect mean? (6.21mins)
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Question 2

Should there be a distinction between how we define freedom of speech in the artistic and public domains?

Listen to question 2: freedom of speech in private and public spaces (12.49mins)
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openDemocracy Author

Tariq Ramadan

Tariq Ramadan, a philosopher and writer who is Professor of Contemporary Islamic Studies in the Faculty of Oriental Studies at Oxford University, has written numerous books advocating the study and re-interpretation of Islamic texts, and working on the position of Muslims in the west and within Muslim majority countries: most recently Arab Awakening (2012) and The Quest for Meaning: Developing a Philosophy of Pluralism (2010).  He is an advisor to the EU on religious affairs, in particular on “Islam and Secularism”, and also the President of the Euro-Muslim Network, a Brussels-based think-tank. Read a profile of him and interview with openDemocracy’s Rosemary Bechler.

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openDemocracy Author

Ayaan Hirsi Ali

Ayaan Hirsi Ali is a Dutch-Somalian author, filmmaker, and former MP of the Dutch parliament. In 2004, with controversial Dutch filmmaker Theo van Gogh, she made the film Submission about the oppression of women in Islamic cultures. Click here to read her blog.

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openDemocracy Author

Hans Magnus Enzensberger

Hans Magnus Enzensberger is one of Germany's most celebrated writers. Born in 1929, he was educated at the universities of Erlangen, Freiburg, Hamburg, and Paris. His main literary output is in poetry and essay, supplemented by excursions into theatre, film, opera, radio drama, reportage, and translation, including a few novels and several books for children. His works include Lighter Than Air: Moral Poems, Zig-Zag: The Politics of Culture and Vice Versa, and the mathematical adventure The Number Devil.

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openDemocracy Author

Upamanyu Chatterjee

Upamanyu Chatterjee is an Indian novelist and civil servant. His published works include short stories and four novels — English, August: An Indian Story, The Last Burden, and The Mammaries of the Welfare State, which won the Sahitya Akademi Award for writing in English. His most recent work, Weight Loss, was published in January 2006.

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openDemocracy Author

Ian Buruma

Ian Buruma is an Anglo-Dutch author, journalist and academic. Born in the Netherlands in 1951, he lived and worked in Japan and Hong Kong for many years. His many books include Bad Elements, The Missionary and the Libertine, Anglomania (UK: Voltaire’s Coconuts), A Japanese Mirror, God's Dust, The Wages of Guilt, and Playing the Game (novel). He writes regularly for the New York Times, the New York Review of Books, Newsweek, Le Monde, and Lettre International. Since 2003 he has been Henry R. Luce Professor of Human Rights and Journalism at Bard college.

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openDemocracy Author

Juan Luis Cebrián

Juan Luis Cebrián was born in Madrid in 1944. He has been editor-in-chief of the leading daily newspaper El Pais since 1976. From 1988 to 1996 he was Chairman of the International Press Institute. His books include Red Doll and the essay collection The Press and Main Street.

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openDemocracy Author

Nilufer Gole

Nilufer Gole is professor of sociology at Ecole des Hautes Etudes en Sciences Sociales in Paris and the director of Europublicislam: Islam in the Making of a European Public Sphere. She is the author of Islam in Europe: The Lure of Fundamentalism and the Allure of Cosmopolitanism (Marcus Weiner, Princeton, 2010)

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