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Portrait of the artist and The Confession, Part One

An interview with the director of The Confession, Moazzam Begg’s story commissioned by BBC Storyville and the BFI - one of the most resonant modern stories for our times.

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Ashish Ghadiali,Tariq Ramadan and Moazzam Begg in studio conversation about 'The Confession', 2016. All rights reserved.Rosemary Bechler (RB): This summer you have been on tour around Britain with showings of your documentary film, The Confession, followed by studio chats with Moazzam Begg – what drew you to this man and this process?

Ashish Ghadiali (Ashish): I set out to make a cinematic documentary. I felt it was important to get this story and this character into a space where it wasn’t being cut down to 10-second soundbites.

When I asked Moazzam if he would be interested in participating in this project, I said to him that my sense was that although he was ubiquitous, he had become a kind of cardboard cut-out within the framework of contemporary media, someone who was wheeled on to represent a point of view that was already pre-packaged and formulated.