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Ten seconds from now

It’s difficult, if not impossible, to know what one’s intention is, both in life, and in art.

Ten seconds from now
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At the 2013 performance of John Cage’s 4’33’’ at the Barbican, Lawrence Foster, conducting the BBC Symphony Orchestra live, opened the score, prepared his baton, and proceeded to do nothing for the next four minutes and thirty three seconds. I was quite amused, as I did not know that the piece, originally for piano, had been rewritten for a symphonic orchestra. I guess that in this current era of social distancing and lockdown, it could also be rewritten for no instrument at all.

Four minutes and 33 seconds of silence in an empty room.

Big deal, you would think, and in fact, this is exactly what my friend Patrick told me the other day when I showed him the video of the performance on YouTube. “Big deal. I can compose a similar, if not better, piece at any given moment. In fact–”, he reached for a sheet of paper, “I will do this now.”