This text is adapted from “Tear Gas: From the Battlefields of World War I to the Streets of Today” and was first published in Waging Nonviolence.
All around the world people invent, adapt and share techniques for resilience and resistance to tear gas. In doing so, they care for each other. They transform this weapon into a collectivizing tool. There is a growing transnational solidarity of tear gas resilience, aided by social media and mobile technologies that help protesters circulate relief remedies, gas mask designs and grenade throwback techniques. Displaying what social movement researcher Gavin Grindon has called “grassroots cultural diplomacy,” these tips are tweeted from Greece to New York, from Palestine to Ferguson, from Egypt to Hong Kong.
In places like Bahrain and Palestine, widespread and even daily use of tear gas has made this chemical weapon a part of life. As a way of exhibiting and collectively processing this trauma, people sometimes transform tear gas canisters into other objects. Acts of anger, grief and memorializing emerge as artistic practices. For example, in Bahrain, people designed a throne made out of tear gas canisters to signify their royal family’s role in the suppression of democracy protests.
In Palestine, tear gas canisters have been used as Christmas tree ornaments to send a holiday message to the United States about the role of its tear gas and arms manufacturers in the violence of the Occupied Territories. In 2013, images of a Palestinian garden made out of plants potted in empty tear gas shells went viral, picked up by mainstream media outlets as an image of hope and quiet resistance. Yet, as Elias Nawawieh pointed out in +972 Magazine, absent from the news stories, Twitter photos and Facebook posts was the grave built as the garden’s centerpiece. It bears a translucent photo of Bassem Abu Rahmah, who was killed by the IDF in 2009 after being shot in the chest at close range by a tear gas grenade.
In 2013, Occupy Gezi in Turkey became a site of innovation, a place where people designed, adopted and adapted novel modes of resistance and resilience to tear gas. There was Ceyda Sungur, the woman in the red dress, pepper-sprayed at close range and turned into a movement icon. There were dancing ballerinas in whirling, brightly colored skirts that contrasted against the harshness of the full-cover gas masks they wore as they spun around. Penguins wore gas masks to symbolize the media’s failure to cover police violence, after television news stations attempted to block out news of the uprisings by screening a documentary about penguins instead of footage from the protests. Christian Gubar writes that “as both political commodities and stage props, goggles and gas masks were embraced for their eerie theatricality, speaking volumes to the grotesque banality of living under billows of noxious gas.”
Rampant tear gas use on protesters and point-blank pepper-spray blasts are as common today as they were in the 1990s and early 2000s, with their use rapidly increasing across the Middle East and Eastern Africa. Like mobile video recording the decade before, the emergence of digital social media has meant that images of police violence against public demonstrators can circulate around the world in seconds. People directly hit with aerosol CS, pepper spray, and other tear gases take photos and videos that travel around Twitter, Facebook and YouTube, spreading stories often before the release of any official news reports. Such images can become movement icons.
The 2011 Occupy movement in the United States was marked by a number of these tear-gassed iconic images. First there were the young women penned in plastic while unarmed and peacefully protesting. Images of this action went viral, picked up by social and mainstream media. Then there was retiree Dorli Rainey, who was sprayed directly in the face at Occupy Portland.
These objects were as much about material reality as symbolism. Protesters in Gezi borrowed, translated, and reproduced instructions for making a gas mask out of a plastic bottle, and for using Maalox and other household ingredients as remedies for the painful effects of tear gas. Talcid Man appeared after a rumor spread that Talcid (a liquid medicine to relieve stomach inflammation) could help ease the effects of pepper spray. He emerged onsite, distributing the medicine as an embodied mobile care unit, and became a symbol of the movement’s resilience and generosity—depicted in stencils and sketches that circulated far beyond the occupied park.
In the gas-flooded streets, a variety of shops, sidewalk stands, ground-level flats and even a hotel became makeshift medical field stations, providing remedies and treatments to protesters. At these sites, health workers and those with basic first-aid skills converged. These medical volunteers often have a clearer and more accurate understanding of the real-world impact of “less lethals” than scientists running tests in sterile laboratories. It is here, under the tarpaulins of protest architecture and in the pop-up clinics, amid the chaos these weapons intentionally provoke, that the bruises and bleeding, the choking and vomiting, the inability to breathe, the concussions, and the paralysis are immediately felt.
At the site of protest, pain is not a toxicity count or a threshold percentage. “Less lethal” is no longer a technical term but a vision of how much torment a body can take, of how close someone can come to death without dying. Measured in human experience, the medical field stations of protests can make visible the reality of riot control. Their ways of seeing and knowing medical injury can move us beyond the flames and smoke of media screens. They can provide far more accurate and detailed on-the-ground accounts than hospital records can. Their testimony can be mobilized to challenge the clinical trials produced by military-paid scientists.
The export chains that enable the sales of less lethal weapons are also often targeted by campaigns seeking to intervene in what Amnesty International calls the “trade in torture.” In an act of defiance that ignited the unions in Egypt, customs worker Asma Mohammed, a member of her union’s women’s committee, refused to process a shipment of seven tons of tear gas from Combined Systems Inc. According to the War Resisters League, which honored her with its 2012 Peace Award, Mohammed recalled, “I said ‘No, I refuse—because I don’t want to be the cause of someone’s pain or death.’ So in solidarity with me, or with the cause, my co-workers said, ‘No, we’re not going to work on it either.’”
In 2014, Bahrain Watch launched a #stoptheshipment campaign targeting Korean manufacturer Dae Kwang Chemical, which had contracted to supply more than a million canisters of tear gas to Bahrain—a country where more than 40 people have died and thousands more have been injured as a result of tear gas. Campaigners worked with Amnesty South Korea, Korean unions and local campaigns, as well as journalists at agenda-setting publications such as the Financial Timesand New York Times. These longstanding tactics were combined with sophisticated, contemporary uses of social media, including a catchy, action-based hashtag, timed retweets and a campaign-specific website. They succeeded in pressuring the South Korean government into placing an embargo on tear gas to Bahrain, stopping the Dae Kwang shipment.
Engaging in direct action.
Another way to resist excessive uses of riot control and protest profiteering is engaging in direct actions that intervene at sites where the transnational training of police forces takes place.
In October 2013, the Facing Tear Gas campaign brought together organizations to protest against Urban Shield, an annual SWAT team training session and security sales expo that promotes the use of military tactics for protest policing. The campaign built a coalition of more than 30 local groups in Oakland, including the Oscar Grant Foundation and the Arab Resource and Organizing Center.
The next year they came back more organized, more informed and determined to make a difference. They created online petitions, held dedicated coalition-building meetings with council members, adopted a preemptive press strategy, and staged a demonstration outside the expo site that drew hundreds to the streets. Their efforts paid off: The Alameda County Sheriff’s Office announced that Urban Shield would no longer be held at the Marriott, and Mayor Jean Quan said that the City of Oakland would not renew its contract with Urban Shield. This was a small victory in a much larger struggle to change policing policies and practices.
A key part of the success of the Stop Urban Shield campaign is sometimes called “going for the low-hanging fruit.” Trying to counter police use of force at the level of government policy or even at the sites of corporate headquarters will likely be slow and require legal action. Expos and SWAT training events held in public, or in spaces that have some public access (like hotel lobbies), are often easier to reach. They offer a convergence site for demonstrations, architecturally and territorially. Likewise, as sites where policing products are sold and displayed, expos offer activists an opportunity to make the secretive world of the arms trade visible. As the wide circulation of Shane Bauer’s 2014 video exposé of Urban Shield for Mother Jones evidenced, in today’s journalistic world of fake news, seeing verified information is believing.
In addition, social media has changed PR, making image management a two-way process where customers’ influence is bigger than ever before. This transition is expanding the field of image-based activism, as people find key image locations—moments and partnerships—that are ripe for intervention. While this can appear to be auxiliary, targeting theaters or museums sponsored by arms dealers hits PR teams where it hurts. In this case, by linking Urban Shield to ongoing events in Ferguson and to Oakland’s past cases of police brutality, particularly against young black men, the Stop Urban Shield coalition’s multi-ethnic, queer membership made it impossible for the city council to support the expo without further damaging the city’s image.
Importantly, it was not just the act of showing up and demonstrating at an arms fair that had this effect: It was making a global struggle local through grassroots mobilization and antiracist critique. Similarly, in explicitly targeting the Marriott, a large international hotel chain popular with families, Stop Urban Shield forced the company to weigh the profits of running this policing event against the risks of tarnishing its image. Getting the Marriott to pull out of Oakland’s Urban Shield is no guarantee that it will stop hosting similar expos elsewhere. However, Stop Urban Shield’s success in Oakland reveals a key pressure point that could become the grounds for a sustained campaign to get for-profit policing out of the Marriott.
Resisting from within.
In 2013, after I began writing in the media about tear gas, I received an email from a police trainer working in Eastern Europe. “I hope you will continue to read my message after I confess [my job] … I worked in this field for 20 years, and I realized that the high-profile policing (using force against demonstrators) is a dead-end, and I campaign for the communication-based or low profile approach. Now I lead a police training center and hope I can use my influence to spread this idea.” The officer went on to ask for training materials that he might be able to translate for his trainees. Letters like this one serve as a much-needed reminder that other worlds are possible. They remind us that we often have more in common than we think.
It is not an easy thing to question the principles and protocols that shape your job and the way it is done. While my focus has been on advocacy from the outside, there are also a number of ways you can help transform how police are trained from the inside. In doing so you are likely to upset others around you, and you will certainly upset all those private consultants and experts who make money off the Saturdays you spend in their classrooms.
Yet, by speaking out from within, you will be joining the ranks of many officers who have fought against the way excessive force is taught, enacted, and then covered up and protected within police departments. You will be speaking out against the cycles of trauma that can produce and perpetuate unnecessary uses of force. Change cannot just be about better public relations; it must also come from the bravery of speaking out from your heart and mind against systems you know are broken or corrupt.
What now? What next?
The increasing deployment of tear gas around the world has led to more canister strikes to the head, more asphyxiation from grenades launched in enclosed spaces, more tear gas offensives coupled with rubber bullets and live ammunition. These violent deployments of chemical weapons continue to leave people dead, disfigured, and with chronic physical and mental health conditions. If the century-long medical history of modern tear gas shows us anything, it is the problem with for-profit science. When science is leveraged for the profit of the few instead of the protection and health of the many, all of society suffers. At the most basic level, people deserve to know more about the chemicals that can be used against them. This is an issue of public health that must be researched independently and disclosed in ways that allows people to clearly understand the effects.
Tear gas must also be considered in its material form—as an object designed to torment people, to break their spirits, to cause physical and psychological damage. No amount of corporate public relations or safety guidelines can hide that foundational truth of chemical design. Tear gas is a weapon that polices the atmosphere and pollutes the very air we breathe. It turns the square, the march, the public assembly into a toxic space, taking away what is so often the last communication channel people have left to use. If the right to gather, to speak out, is to mean anything, then we must also have the right to do so in air we can breathe.
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